Page 5 - RD_2024-12
P. 5

purchased  a  Bi-Unial  Magic  Lantern  for
        showing  the  photographic  advertising  slides
        he  was  making.  This  double  decker  Magic
        Lantern  used  two  ‘limelight’  burners  to
        illuminate  a  large  screen.  He  planned  to
        present  his  slide  shows  in  the  streets  of
        Ballarat on Saturday nights. Just as Joe was
        preparing to take the Lantern out for a display.
        Major Frank Barritt arrived from the Army's
        Melbourne headquarters The Major was very
        impressed with Joe’s enterprise and told him
        to come to Melbourne as soon as possible and
        “bring your Lantern with you”.

        Joe's enterprise was immediately put to work
        advertising  the  forthcoming  tour  of  General
        William  Booth  and  his  ‘Darkest  England
        Scheme’, a plan to reduce poverty in England
        by  re-establishing  unemployed  Britons  in
        Australia.

        Following the great success of the advertising  Above: The old Salvation Army's Headquarters at 69
        campaign, Joe Perry was asked to prepare a  Bourke  St,  Melbourne  where  the  Limelight
                                            Department was established in the attic in 1894 and
        slide  programme  showing  the  squalor  and
                                            where Australia's first Film Studio was built — The
        distress that existed in the slums of England
                                            building is still an historic landmark.
        and  the  Army’s  work  in  supporting  the
        victims. The 50 slide presentation, In Darkest
        England, toured the eastern states of Australia
        illustrating  Booth’s  scheme  and  making  a
        healthy profit from admission charges.
        In  1891  the  enthusiasm  of  Commissioner
        Thomas Coomes and Major Barritt resulted in
        the   establishment   of   “The   Limelight
        Department” as a permanent unit, with Barritt
        in charge and Joe Perry as Equipment Operator.  Above: Perry’s Studio seen at the rear of the build-
                                            ing. The southern roof wall was originally a huge
        The presentation of visual narratives had now  glass skylight to admit sufficient daylight to expose
        reached  a  high  level  of  sophistication  with  the slow motion picture film. Photo by Chris Long.
        mechanical  attachments  on  the  lantern
        providing  a  wide  range  of  optical  effects.
                                            Right: The “Colouring
        Wipes, fades, dissolves, and super-imposures  Studio” sign above the
        could  be  used  to  dramatically  enhance  the  door of the gutted Attic
        presentations,  a  forerunner  of  similar  effects  Studio is a reminder of
        later used in motion picture production.  the  Salvation  Army
                                            Lasses   who   hand
        Joe  also  used  the  lantern  to  show  moving  coloured the masses of
                                            glass   slides   and
        chromotropes  and  leaver  slides  which
                                            sometimes  the  motion
        provided a colourful animated introduction to
                                            picture film that flowed
        entertain children and adults prior to the more  through  the  Limelight
                                            Department.
                                                REEL DEALS  December 2024       5
   1   2   3   4   5   6   7   8   9   10